About Web 1.0 and Web 2.0

Web 1.0 & Web 2.0 


  • The internet was around since the late 1970s/early 1980s but very limited. 
  • The early 1990s were used by academics in universities for messaging research.
  • Web 1.0 - Characterised by - Research - Sending Emails


Around 2000 - Web 2.0 characterized by: 

  • Instant messaging (MSN)
  • Social Media (My Space) 
  • Interactivity - Early 2000s we got streaming/Youtube and Facebook 
Henry Jenkins 

  • A Cultural optimist who sees new media as a force for good
  • Fan culture and participatory culture are very positive breaking down social-cultural barriers 
  • Fans and audiences can create their own stories and versions of products question share participate. Generate their own ideas. 


Comments

Post a Comment

Popular posts from this blog

Smashing Stereotypes Reflection

Outline your idea for the Smashing Stereotypes project and your reasons for choosing this idea ● Which professional media products inspired you and how? ● How well did you manage your time and resources throughout the planning, production and post- production phases? ● Which theory points might be relevant to your finished product? How and why, use examples taken from your piece ● What have you learned from this project that might be useful for the next project / FMP? ● Bibliography / list of references Our smashing stereotype  project had a concept of  the idea about ''don't judge a book by its cover''. The reason for us choosing to do this is because  we believe in today's generation and society  people cannot be themselves without having a label on them, for example a male may act feminine  however will still get labelled as ''gay''.  The reason behind us choosing this idea is because its a good way to get our message across about not...
Read more

Auteur theory

Discuss the ‘auteur theory’ covering How it came about What it really means What problems there are with it The auteur theory was developed in 1962 by Andrew Sarris, although it has been influencing filmmakers since Francois Truffaut advocated it in 1954. This theory is the concept of a director imposing his own style and the personality of a film. Their films will be clearly recognized as theirs as the ongoing themes and motifs are easily distinguished from other filmmakers. They will have a distinct style that runs through most of their films and in some cases, the visual elements will convey the film more successfully than the narrative; camera shots, lighting, mise-en-scene, and scene length all work to create this. 
Read more